We’re thrilled to present our new exhibition Bouquet Theory - a series of unique objects, in Glass, Aluminium and Wood.

Objects composed from found industrial fragments, parts of old moulds, steel profiles and forgotten components assembled into new forms. Each piece originates from an assemblage process where discarded elements are combined into sculptural compositions. 

Part readymade, part composition, the series exists somewhere between functional objects and three-dimensional collage. Familiar silhouettes emerge from unlikely connections, balancing precision with improvisation. Industrial remnants become ornamental details; hard materials transform into delicate transparencies.

The collection reflects the idea of forming a unified whole while each piece maintains its own distinct character and identity. Similar to the logic of a bouquet, the composition relies on tension, imbalance and repetition where contrasting forms are brought together into a singular arrangement. Together, the objects exist as a family of forms individually distinct, yet connected through composition, proportion and gesture

The series explores how objects carry memory and how forms can continuously be rearranged, reused and reimagined. Through glass, assembled fragments are frozen into a new permanent state: fragile, playful and slightly excessive.